San Diego’s Balboa Park

During our vacation in 2022 to San Diego, my wife and I spent a morning strolling around Balboa Park. Named for the Spanish-born explorer and perhaps the first European to witness the Pacific Ocean, this 1,200-acre site has a long, rich history going back to 1868 when San Diego’s leaders set aside the scrappy undeveloped area for public use. It didn’t really begin to take shape as a recognizable park until 1892 when a schoolteacher turned botanist and entrepreneur named Kate Sessions leased 32 acres of the property for her growing nursery’s propagation. She also agreed to plant trees annually in the park and in other public spaces around the city. The species included cypress, pine, oak, and eucalyptus. Some of the oldest specimens in the park today were part of the original plantings. She also introduced exotic plant species such as bird of paradise, Queen palm, and poinsettia. Her efforts eventually earned Sessions the honorary title “The Mother of Balboa Park.”

Balboa Park, San Diego, California
Balboa Park, San Diego, California

By the early 20th century, the City of San Diego had installed water systems, roads, and other infrastructural elements to Balboa Park. The origin of the elaborate Spanish Colonial architecture dates to 1915 when the park was selected as the site for the Panama-California Exposition. The Cabrillo Bridge and the buildings along El Prado date to this event, along with the Spreckels Organ Pavilion. More buildings were added for the California Pacific International Exposition of 1935-36, especially in the Southern Palisades area. These structures have a much more Southwestern look in the tradition of Pueblo Indian architecture and even Mayan designs.

Balboa Park, San Diego, California
Balboa Park, San Diego, California

After World War II, several of the main buildings were converted to museums and other cultural institutions. Today, visitors to the park can enjoy the San Diego History Center, San Diego Museum of Art, San Diego Natural History Museum, Fleet Science Center, Institute of Contemporary Art, Museum of Photographic Arts, Women’s Museum of California, Veterans Museum, WorldBeat Center, Museum of Us, San Diego Air and Space Museum, San Diego Mineral and Gem Society, San Diego Automotive Museum, San Diego Model Railroad Museum, Mingei International Museum, the Marston House (early 20th-century Arts & Crafts design), Comic-Con Museum, and Timken Museum of Art.

Balboa Park, San Diego, California
Balboa Park, San Diego, California

There are fountains and gardens throughout the park, along with the Japanese Friendship Garden (subject of an earlier post). There are restaurants and coffee shops. There are statues (especially in Sefton Plaza), the impressive California Tower, the Spanish Village Art Center, a beautiful carousel, and a miniature train. The park’s visitors center is the best place to start exploring the site. If we return to San Diego, I plan to devote more time to wandering through some of these museums. The Botanical Building and Lily Pond were undergoing major renovation work when we were there, so I definitely want to see those if we go back to Balboa Park, and I hope we do.

Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California

Taliesin West: Frank Lloyd Wright’s Desert Oasis

In 1909, famed American architect Frank Lloyd Wright began constructing a house on the brow of a hill near Spring Green, Wisconsin. He had grown up in the hills of the state and was inspired by the landscape. His mother was of Welsh descent, and he named the 800-acre estate Taliesin, which is a personal name rooted in Welsh mythology that translates to radiant or shining brow. This was not Wright’s first home, nor would it be his last. He had completed a small two-story residence in Oak Park, a suburb of Chicago, in 1889. Fire almost completely destroyed Taliesin in 1914 and again in 1925, but Wright rebuilt both times.

In the early 1930s, Wright and his third wife, Olgivanna, established an architectural apprentice program at his Wisconsin home called the Taliesin Fellowship, which provided students with an immersive experience that integrated design and construction with growing and preparing food and the study of the arts. The term the Wrights used was “organic architecture.” Wright would continue to make changes and additions to Taliesin over the years after the fires, including converting a chicken coop into a dormitory for his architectural apprentices!

Wright and his students needed seasonal respite from the harsh winters of Wisconsin and found one in 1934 when he rented space for the Fellowship in sunny Arizona. The change in climate was so welcoming that Wright decided to create a winter location for his school. He purchased property in the rugged Sonoran Desert at the base of the McDowell Mountains in Scottsdale, northeast of Phoenix, where he and his apprentices would construct Taliesin West. This winter camp would become a study in how to blend architecture into a stark landscape incorporating water, shade, foliage, and indigenous materials to create a desert oasis. Wright’s architectural school used both Taliesin locations depending upon the season, even after the master’s death in 1959 in Phoenix at the age of 91. Although the Wisconsin program at Taliesin East finally closed in 2020, the tradition continues to this day with the Frank Lloyd Wright School of Architecture in two locations in Arizona. Both Taliesin East and West are now historical sites open to the public, with guided or self-guided tours available.

Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona

During the week following Christmas in 2022, my wife and I returned to the Phoenix area for a vacation. It is one of our favorite destinations in the country and where we hope to spend considerable time during retirement. On this trip we visited Taliesin West, which was my first time seeing the site. We took a self-guided tour, using a mobile phone app with earplugs to listen to a virtual guide describe the structures and surrounding grounds as we walked through a series of numbered stations over the course of about an hour. The whole setup was quite slick – impressive and informative. Along with other visitors taking the same tour, we were able to stroll through the various rooms and outdoor spaces. It is understandable why Andrew Pielage decided to call his photographic exhibition of Wright’s work “Sacred Spaces,” showcasing how the architect skillfully designed structures that seem almost sanctified.

Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona

Several design elements of Taliesin West stand out in my mind. A common theme throughout is the use of sharp angles for roof lines, steps, walkways, and water features. This collection of points is reminiscent of the McDowell Mountain peaks visible to the east of the property. The stone and plaster walls, interior and exterior, imitate the rocky outcroppings around Scottsdale and throughout the Phoenix valley. Red, orange, brown, and blue are dominant colors for painted surfaces and fabric, reflecting the palette of the Sonoran Desert floor and the skies above that remain clear most of the time. Although rare in the desert, water is present in the form of rivers, such as the Salt, Gila, and the Agua Fria in Phoenix. Also, the Sonoran Desert gets more rainfall than any other desert in North America. Wright and his apprentices included several modest water features at Taliesin West. Some people have speculated that Wright may have become paranoid after suffering through multiple devastating fires and wanted water nearby as a safeguard. In any case, the presence of water created a literal oasis at Taliesin West.

Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona

The Frank Lloyd Wright Foundation that owns and operates Taliesin West does a fine job of managing the site as a historically-preserved house museum. The rooms are presented in a fashion that makes them look as if Wright and his students have left for the summer but will return next winter. Spaces are appointed with original (or at least period) art pieces, artifacts, furniture, and furnishings. The story the curators are telling is as much about Wright’s apprentices and their accomplishments as it is about the master architect himself. There are various places where people could gather together, including a small theatre. There are at least three pianos in the buildings, implying how important music was to the general atmosphere the Wrights were producing. Toward the end of his life, Frank Lloyd Wright was hosting cocktail parties with Olgivanna at Taliesin West for select groups of people in the greater Phoenix area. What fascinating conversations must have occurred at such gatherings, no doubt dominated by the celebrity architect who had grown so fond of his sacred space in Arizona.

Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona

Introducing the Ozarks: An Annotated Bibliography

In late 2018, my wife and I moved from Georgia to Springfield, a town of about 170,000 people in southwest Missouri. It’s a great location for us because we have family and close friends in Georgia, Kansas, Texas, and Arizona. We really enjoy traveling, especially to the desert southwest, but we like the Florida beaches and places like New York City, Chicago, and Nashville. Living in Springfield strategically positions us near the center of the country and makes it easier to get to family, friends, and fun destinations. The icing on the cake is the small national airport that is a mere twenty minutes from our house, which is serviced by three major airlines and a few budget carriers.

Southern Missouri and northern Arkansas make up the bulk of the region known as the Ozarks. It as an area of the country defined by a variety of factors, from geology and topography to culture and customs. It is also quite beautiful. It is rich in natural resources, especially water, minerals, and forests. It is a complicated region in almost every category imaginable. Although it boasts no major cities, it does have some bustling urban centers. There are some wealthy people in the Ozarks, but there are far more families living in serious poverty. On the political spectrum, it is largely conservative with pockets of progressivism mostly in and around the cities.

Admittedly, I knew very little about the Ozarks. I had never set foot in Missouri and only visited once just a few months before we moved here. To get “learned up” about our new home, I did what I always do when encountering something new and unfamiliar. I started reading. The following is an annotated list of books I have read about the Ozarks over the last three years or so. My bibliography is in no way intended to be comprehensive or even representative; however, these books have given me greater insight into the history, culture, and people of the Ozarks. All of these titles are nonfiction, but I have also read fiction by Ozarks writers or stories set in the region. Perhaps sometime I will write a post reviewing those books as well.

A History of the Ozarks, Volume 3 by Brooks Blevins
A History of the Ozarks, Volume 3 by Brooks Blevins

A History of the Ozarks, Volume 3: The Ozarkers by Brooks Blevins
Brooks Blevins is the uncontested authority on the history of the Ozarks. He is a professor at Missouri State University in Springfield, where I am also employed. But his full-time residence is in northern Arkansas, so he has his feet planted in the two main states of the Ozarks. He is a fine writer, a serious scholar, a respected teacher, and an all-round nice fellow. I have only read this 3rd volume of his trilogy, but I intend to at least go back and read the 1st volume covering the early history of the region.

Blevins is at his best when he is dispelling many of the misconceptions and over-generalizations of the Ozarks as a place full of backwoods hillbillies with no connection to the modern world. He also does a great job of pointing out the most attractive features of the region without romanticizing or falling into the trap of exceptionalism, which is always tempting to do if you are so identified with a place, which I believe he is.

The chapters on “Ozarks Society” and “Putting on a Show,” along with his “Conclusion,” were the most interesting to me because they highlight how much the Ozarks have changed over the last 150 years and are continuing to evolve. I’m not sure I agree with Blevins that the specific location of the Ozarks, a topic of serious debate for generations, is best defined by where the Ozarkers live; however, there seems to be a strong sense of place appreciated by so many people who live here, quite similar to sentiments held by many people in the Deep South about their region. This is a solid historical overview of a complex and fascinating part of the country in the modern period.

Living Waters: The Springs of Missouri by Loring Bullard
This book is well documented and researched. The photographs of the springs and streams they feed are stunningly beautiful. The layout of the book makes it easy and enjoyable to read. However, aside from the technical aspects of the book, Bullard clearly has a passion for his subject that is both personal and professional, which is demonstrated in the text of every page.

The organization of the book is especially fine, with chapters focusing on features and functions of springs rather than on individual locations. Bullard incorporates a considerable amount of history to offer context and appreciation of how past generations have understood and valued springs in the state and have taken advantage of them as valuable natural resources. Of course, the environmental message throughout is of paramount importance — we must take good care of our state’s springs because of the vital role they play in providing clean water for the ecosystems they feed.

White Man’s Heaven: The Lynching and Expulsion of Blacks in the Southern Ozarks, 1894-1909 by Kimberly Harper
Harper presents a thoroughly researched and well documented scholarly study that helps explain why the southwestern Ozarks is such a white region of the country. Lynching occurred in many places across the South, and obviously, into the Midwest. Many white people who had lived during the time of slavery, whether they actually owned slaves or not, resented the new autonomy of black people in their communities during Restoration. Over the decades, resentment evolved into a fear. “While blacks may not have been true economic, social, or even political competitors in the region, whites viewed blacks as a threat to their wives, daughters, and police officers.” Obviously, much of the fear centered on the perceived sexual predation of black men. “It was believed that women were not safe in the country or the city, so long as African American men roamed free.”

However, Harper goes beyond the acts of horrible white mob violence to explore why African Americans were driven out of communities, often at the same time lynching took place. Similar action was taken in other parts of the country — Forsyth County in north central Georgia comes to mind. Other areas of north Georgia, especially in the Appalachian foothills, still have small black populations to this day.

In the Ozarks and in the north Georgia mountains, the economy in the early 20th century was primarily subsistence farming, which did not require much labor outside the extended family of the farmer. As Harper observes, “This was in contrast to the black-majority regions of the South, where inexpensive and readily available black labor composed a significant segment of the local economy, making African Americans indispensable to local white employers.” One could easily make the same argument in recent decades for why white farmers have not been so anxious to deport undocumented Latinos from regions of the South where industrial agriculture is dominant and depends on vast numbers of inexpensive laborers.

This is a fine addition to American history and African American studies. Harper’s book joins more recent work on lynching by prominent African American scholars. Highly recommended.

Hipbillies: Deep Revolution in the Arkansas Ozarks by Jared M. Phillips
I had the opportunity to hear the author speak on a panel with two people who were involved in the Back To Land movement in the Arkansas Ozarks at a conference in West Plains, Missouri, in September, 2019. The people who decided beginning back in the 1970s to trade in urban dwelling for a rural, subsistence lifestyle among the hills and “hollers” of the Ozarks are often referred to as Hipbillies — a hybrid of hippies and hillbillies.

Phillips does a good job of placing this movement in the context of 20th century back-to-the-land and counter-culture philosophy characterized by the works of people like Wendell Berry and Gary Snyder. He gives proper credit to the successes of the Hipbillies while also recognizing their failures and some of their less-than-pure intentions. He credits them for fighting for environmental health, sustainable agricultural practices, and social justice issues. One of their greatest accomplishments was succeeding in modest changes to how the US Forest Service approached the management of timber.

Phillips admires how the Hipbillies, especially the pioneers from the early 1970s, faced overwhelming odds and even life-threatening circumstances yet still persevered to make it as homesteaders in a part of the country where the land is not so forgiving. He dispels some of the myths about how native Ozarkers rejected the Hipbillies. Instead, they often embraced them and even saved their lives during harsh winters and unpredictable farming seasons. There were clashes in places like Eureka Springs, but that was more a conflict between counter-culturists and town leadership.

The Hipbillies had big dreams when they landed in the Ozarks. “What was sought, then, was a rehabilitation of American culture — one that began in the dirt and grew over time like the forest that slowly reclaims and heals a ruined field,” Phillips writes. He contends that the Hipbillies took themselves seriously as revolutionaries. They “came to the Ozarks seeking refuge and a place in which they might build a new world for themselves, and hopefully, all of humanity . . . . While they did not always succeed, the story is not over — they are still alive and are still powerful cultural, political, and economic forces in the Arkansas highlands.”

Hillbilly Hellraisers: Federal Power and Populist Defiance in the Ozarks by J. Blake Perkins
The myths and stereotypes about the Ozarks are deeply ingrained in our consciousness, but they never have painted a true picture of the people and their culture, desires, needs, problems, etc. Perkins’s book reinforces one essential truth about Ozarks people: they tend be proud and fiercely independent, even in the face of long-term adversity.

There is a strong tradition of tension between individual rural families and individuals and/or institutions in authority. Poverty has always been a dark shadow hanging over the Ozarks, even when other parts of the country were climbing out of it. Although many people here petitioned for government assistance in the past, there is a history in this region of distrust of government programs, which ended up being administered and exploited by local and state officials. Law enforcement was fine as long as it didn’t try to stop individuals from scraping out a living, even through illegal means. More than anything, native Ozarkers have always just wanted to be left alone. When their autonomy was threatened, especially by outside forces, they sometime became violent.

Ozarks Hillbilly by Tom Koob and Curtis Copeland
Koob and Copeland do a good job here of presenting the stereotypes of the Hillbilly as the term has been used in literature and other art forms to describe many of the rural folk in the Ozarks. The authors argue that, contrary to the traditional image of a lazy, shiftless, ignorant, depraved character, the Ozarks Hillbilly is quite industrious, shrewd, and highly skilled. Hillbillies are survivalists and generations of them have struggled to provide for themselves and their families in a harsh and unforgiving environment.

I found it odd in a book about the Ozarks how much time the authors spent on discussing Appalachian Hillbillies. They seem to have keen interest in the way Hillbillies were presented in Deliverance, the novel by James Dickey and the popular film adaptation starring Burt Reynolds and Ned Beatty. There are definitely similarities between the two regions of the country, which have been explored by numerous scholars. The stereotypes of the rural residents of both areas also share commonalities. Perhaps a comparison/contrast book would have been even more helpful and intriguing. 

Where Misfits Fit: Counterculture and Influence in the Ozarks by Thomas Michael Kersen
For Kersen, the town of Eureka Springs, Arkansas, serves as an archetype for his thesis of how counterculture distinguishes the Ozarks and is among its more charming and sustaining features. As he states it, “The magic of Eureka Springs is that the town is a mass of contradictions and microconflicts that breed [sic] creativity.” No wonder that the book’s title is also the semi-official motto of the town: Where Misfits Fit.

Kersen does a good job of weaving the eccentricities of the people who occupy the Ozarks into the history of the region. He first offers his identification of the region, defining it by geography and culture. He then proceeds to outline its countercultural characteristics through popular myths, artistic expression, supernatural fixations, cult activity, musical influence and inspiration, and the back-to-the-land movements primarily of the 1970s (the author’s parents brought him to the Ozarks from Texas as part of this larger movement).

A thread running throughout the book is Kersen’s use of the adjective “liminal” to describe the Ozarks – a place that is difficult to box in and that continually crosses lines. He writes that “the Ozarks defies boundaries of all sorts — it is a work in progress.” Here again, the contradictions of the area come into play. For instance UFO enthusiasts that have been drawn here for decades rely on scientific knowledge about astronomy and space exploration but scorn scientists who fail to validate their paranormal claims. Kersen recognizes that “eccentric places attract eccentric people — people willing to live and think in the margins.” He also believes the Ozarks “offers something unique for its inhabitants and even American culture at large.”

I found some of the most valuable information in the Conclusions chapter, especially about the impact of in-migration into the Ozarks from countries around the world. The author wonders how Ozark identity will change as the racial and ethnic profile of the region continues to change. The book has extensive end notes, an impressive bibliography for further reading and study, and a decent index. Just a few points of criticism: the book could have benefited from skillful editing. There are too many typo kind of errors for an academic press book. Also, I suspect this book is a collection of separately-written essays because there is considerable repetition of information in the chapters. Otherwise, it is a fine book that is both accessible and informative.

Lake of the Ozarks: My Surreal Summers in a Vanishing America by Bill Geist
I was drawn to this book primarily because I visited the Lake of the Ozarks just a few months after settling here. I didn’t know anything about Bill Geist as I never watch Sunday Morning on CBS. I may have read his columns before but am not aware if I have. I can relate to many of the references Geist makes to growing up in the 1960s and 70s, although he is a bit older than I am. Some readers will no doubt be put off by the political incorrectness of the author’s perspectives, language, and the circumstances from his adolescence, but I suspect he is being perfectly honest and straightforward with his recollections and descriptions of his life and times working for his uncle and aunt at their lakeside lodge. There are some really laugh-out-loud passages in this book, which made it an enjoyable read.

Footprints in the Ozarks: A Memoir by Ellen Gray Massey
This is a pleasant read. It isn’t challenging; the text is straightforward; it doesn’t reveal anything new about the Ozarks region; it gets a bit sentimental in places; and it is so bucolic that the reader can almost smell the cow manure on the farm where Massey lived and raised her family. She also worked as a high school English teacher, and apparently quite a good one. She supervised her students over a ten-year period as they produced a quarterly journal titled Bittersweet. The value of this book lies in Massey’s descriptions of the social mores of her community, the relationships of family and friends, the tragedies her family faced (including the death of her husband), and how life in the rural Ozarks was fulfilling and rewarding to her, as it has been for so many others for many generations.

Coming Clean About Robert E. Lee, the Civil War, and the Deep South

Ty Seidule has written a book that immediately and unequivocally transforms him into a turncoat in the eyes of many southerners. Robert E. Lee and Me: A Southerner’s Reckoning with the Myth of the Lost Cause (St. Martin’s Press, 2021) is not the first book to challenge Confederacy sympathizers, but it offers a unique perspective from an author who has made the journey from apologist to critic and is completely forthright about a subject that is still extremely sensitive for so many Americans.

I am about the same age as the author, and I was raised in Georgia, the state where he spent many of his formative years. I know the landscape. I understand the vocabulary. I am keenly aware of how a horrible war that the rebellious Confederacy lost over 150 years ago left wounds that in many circles have yet to heal. I have seen the battle flag of that failed insurrection flying in the bed of pickup trucks, hung in windows of trailers and houses, proudly displayed on government property, and waved through the halls of the U.S. Capitol by modern-day insurrectionists. I have seen the long, dark shadow cast by the iconic and mythical leader of those Confederate forces – a man who is still revered and memorialized all over the South with language usually reserved for Biblical characters described in Sunday School lessons and from pulpits.

Confederate Response to Juneteenth in Graham
Confederate Response to Juneteenth in Graham Anthony Crider, CC BY 2.0 , via Wikimedia Commons

It takes amazing courage for a southerner who is also a decorated officer of the U.S. Army and a retired history professor at West Point to openly and very publicly admit that Robert E. Lee committed treason and should be viewed as a traitor to his country. And that’s exactly what Ty Seidule has done. I applaud his bravery and the extensive research he has completed to make that claim. This is a damn fine book, not because it covers new ground or reveals any real hidden truths, but because someone in a position of authority and respect is making a form of confession that deserves serious consideration.

Seidule has heard every excuse in the book for why the Civil War wasn’t about slavery, for why the Confederacy didn’t really lose the war, and for why Robert E. Lee was such an honorable man. For the first twenty years of his life, he believed the excuses too. He probably doesn’t give quite enough credit to his wife for finally helping him escape the vortex of Confederate mythology. She forced him to question what it means to be a “Christian Southern Gentleman,” something he had aspired to from childhood through his graduation from Washington and Lee University, an institution that has been responsible more than any other place for perpetuating the cult of Robert E. Lee. His thoughts about what it means to be a Christian and a gentleman have drastically changed through the years, and his perception of the South is much clearer than it was when he was a young man.

Robert E Lee Memorial, Richmond, VA
Robert E Lee Memorial, Richmond, VA Hal Jespersen at en.wikipedia, Public domain, via Wikimedia Commons

This book should be required reading in just about every college and university in the South, and even in many other parts of the country where the Civil War is still romanticized beyond recognition for what it truly was: a rebellious uprising against the United States of America. Seidule spends a lot of time talking about the impact of the novel and movie “Gone with the Wind,” which is appropriate; however, I wish he had given some attention to the earlier movie, “Birth of a Nation,” especially in his discussions of the Ku Klux Klan. One of the most striking arguments he makes concerns the inaccurate terminology that has been used for generations to describe the Civil War, including the ridiculous names for the conflict itself, from “the recent unpleasantness” to “the war of northern aggression.”

Seidule also makes a convincing point about how using the term “Union” is an inappropriate way to describe the U.S. Armed Forces while they fought against the Confederacy, as if the Union were some entity separate from the United States. That distinction brings us back to the problem with Robert E. Lee, who abandoned his commission as an officer of the U.S. Army and chose to side with a rebellious confederacy of states – a domestic enemy against whom Lee had sworn to protect his country. In the end, Lee was more loyal to the State of Virginia and the other southern states than he was to the United States, and that makes him a traitor. And it’s about time southerners and the rest of the nation came to terms with that stinging but absolutely honest indictment.

Robert E. Lee and Me by Ty Seidule (book cover)
Robert E. Lee and Me by Ty Seidule (book cover)

Santa Fe: Art Gallery of the Southwest

My wife and I took a trip to Santa Fe, New Mexico, during the summer of 2014.  She had been to the town several times, but I had not. We both love art, culture, and the southwest, and Santa Fe is one of those places where all three intersect.  We stayed in a lovely, rambling casita just off Canyon Road, which placed us in walking distance from the historic downtown attractions and more art galleries than anyone could possibly explore in a year’s time — alas, we were there for less than a week.

Native-American settlement in this area of the state goes back at least to the mid-11th century, with Pueblo Indian villages occupying the site for about a hundred years. Spanish explorers created a small village here thirteen years before the Mayflower Pilgrims established the Plymouth Colony. Santa Fe is the oldest capital city in the U.S. and still holds the record for the oldest public building in America, the Palace of the Governors. The city was captured and claimed by the U.S. in 1846 during the Mexican-American War. After New Mexico gained statehood in 1912, Santa Fe began to attract even more visitors from across the country who were drawn to the city’s dry climate and rich history.

Art and architecture have been among Santa Fe’s most valuable commodities from its early beginnings as a settlement for indigenous people. During the 20th century, the leadership and citizens of Santa Fe took measures to preserve the city’s ancient landmarks and maintain its multicultural traditions. Zoning codes are in place to protect the city’s distinctive Spanish-Pueblo architectural style of adobe and wood construction. Of course, other styles are fully represented in Santa Fe, including Greek Revival, Victorian, and Spanish Mission Revival.

Dragon sculpture over Ellsworth Gallery in Santa Fe
Dragon sculpture over Ellsworth Gallery in Santa Fe

The historic district of Santa Fe is packed with galleries and museums, but the variety and abundance of public art on display transforms this southwestern village into a huge open-air exhibit. Galleries and other businesses often have interesting artwork on the exterior of their buildings that range from traditional to whimsical, like the pounded-copper dragon sculpture by artist Ilan Ashkenazi atop the Ellsworth Gallery, reflecting the gallery’s Japanese antiques and Samurai armor collections. The “Rock Paper Scissors” stainless steel and bronze sculpture by artist Kevin Box at a nearby gallery is another example.

"Rock, paper, scissors" sculpture in Santa Fe
“Rock, paper, scissors” sculpture in Santa Fe

Public art abounds in Santa Fe, and it comes in all shapes, sizes, and media. If you’re looking for garden art, there are plenty of public green spaces decorated with a variety of individual and collective installations. However, there are also outdoor garden galleries selling a whole host of fascinating pieces, including the mesmerizing whirligigs and the startling face sculptures. Public buildings also get in on the act. The “Santa Fe Current” is an installation by artist Colette Hosmer of sculpted fish “swimming” through pebbles in the garden area just outside Santa Fe’s Community Convention Center.

Whirligig garden in Santa Fe
Whirligig garden in Santa Fe
Sculpted garden faces in Santa Fe
Sculpted garden faces in Santa Fe
"Santa Fe Current" sculpture by Colette Hosmer
“Santa Fe Current” sculpture by Colette Hosmer

Bronze statues are almost ubiquitous in Santa Fe, scattered throughout the town on public and private property. I was especially enamored with the statues of children playing, but there are many other subjects by artists like Native-American sculptor Roxanne Swentzell. Statues of cowboys and animals are plentiful too. One of the most beloved statues resides in Thomas Macaione Park, named after a Santa Fe artist the locals affectionately called “El Diferente.” The statue depicts Macaione holding a paint brush and standing at his easel with a wooden crate at his feet holding his palette. There is also a statue of a dog resting a couple of feet away on the flagstones where Macaione stands. The piece was created by Mac Vaughan.

Thomas Macaione “el Diferente” bronze sculpture in Santa Fe
Thomas Macaione “el Diferente” bronze sculpture in Santa Fe
Sculpture of children playing in Santa Fe
Sculpture of children playing in Santa Fe
Sculpture of a child reading in Santa Fe
Sculpture of a child reading in Santa Fe

One of the highlights of this trip was the opportunity I had to get up each morning just after sunrise and head down Canyon Road, which includes a half-mile section with over a hundred galleries, boutiques, and restaurants. From there I wandered around the old historic section of Santa Fe taking photos of art, architecture, gardens, wildlife, and the landscape. Some of the best shots I took of the surrounding countryside were from the hilltop ruins of Fort Marcy, which dates to the Mexican-American War. While I was roaming around the streets and alleys of Santa Fe in the cool of the early morning, there were very few people out and about at all. I could walk several blocks without seeing a soul. It felt like I had been given an exclusive pass to a museum that was closed for the day, and I was the only visitor. How unusual. How wonderful.

Sculpture of two Native-Americans in Santa Fe
Sculpture of two Native-Americans in Santa Fe
Sculpture of nude couple kissing in Santa Fe
Sculpture of nude couple kissing in Santa Fe
Sculpture of man and boy fishing in Santa Fe
Sculpture of man and boy fishing in Santa Fe

How Flannery O’Connor Became Human to Me

In an earlier blog post, I wrote about the day I accepted an offer from the lawyer representing the executors of the estate of the late author, Flannery O’Connor, to work for the executors to establish the Flannery O’Connor-Andalusia Foundation. Among other objectives, this nonprofit organization would be charged with preserving Andalusia, the farm where O’Connor lived the last 13 years of her life and where she completed her published books. The year was 2000, and I was serving as the director of the local public library. I had been a devoted fan of O’Connor from the time I had studied her work as an undergraduate English major at her alma mater, Georgia College. The institution was called Georgia State College for Women during the time Mary Flannery O’Connor was there in the 1940s. She was larger than life, as so many writers of fine literature are to me. I was in complete awe that someone could write a novel like Wise Blood at the age of 27. She is considered an artistic genius by critics, an intellectual force by most scholars, and even a candidate for sainthood by some of her fellow Catholics. She was almost mythical in my imagination.

Flannery O'Connor
Flannery O’Connor

I spent most of 2001 working with memorabilia and artifacts associated with O’Connor’s life and career as a writer. O’Connor’s mother, Regina Cline O’Connor, donated a collection of material to Georgia College six years after the author died. This gift included many of the manuscripts from O’Connor’s published works, along with much of her personal library. However, Regina O’Connor held onto a considerable archive of books, manuscripts, published and unpublished letters, photographs, visual art, cartoons, sketches, journals, notebooks, business and personal records, and juvenilia. I was charged with sorting through and organizing the archive, creating an inventory, and preserving the items using archival containers and methods of storage. The vast majority of that remaining archive is now reposited at Emory University in Atlanta.

I sifted through hundreds of images of O’Connor in posed and candid photographs from infancy to shortly before her death from lupus at age 39. Particularly touching were pictures of her as a young child with her father, Edward, who also died from lupus when she was only 15 years old. I held in my hands the cartoons and sketches that O’Connor created while she was in high school and college, with characters and captions that foreshadowed the wicked humor so central to her fiction as a seasoned writer. I read every letter to her mother when O’Connor was away at graduate school in Iowa, some of which revealed strong emotions as she seemed to be searching for her own voice and an identity independent of the Cline family based in Georgia and Massachusetts. I read through her personal journals where she articulated deep feelings, thoughts, and struggles. I suspect she would be more than embarrassed to know that one of those journals has been published as a monograph.

When the Flannery O’Connor-Andalusia Foundation was officially established in 2002, the board of directors hired me as the organization’s executive director. I collaborated with professionals to design plans for restoring and preserving the farm and launched a campaign to raise money for the work ahead, which was monumental considering the farm was 544 acres with a main house that was not exactly in stellar shape and a dozen outbuildings in various stages of serious deterioration. While preparing the main house for public tours, I touched or picked up almost every object in the two-story 19th century structure, including many of Flannery O’Connor’s personal effects that had been left in the house for over three decades: medicine bottles, paint brushes, clothing, furniture, furnishings, Catholic paraphernalia, and of course, her crutches.

Main house at Andalusia
Main house at Andalusia

Honestly, I felt a bit uncomfortable at times in O’Connor’s private space, even decades after her death. I always tried to be respectful and mindful of the intrusion, necessary as it was. I arranged her bedroom/study as much as possible to the way Robert Fitzgerald described it in his introduction to O’Connor’s posthumous short story collection, Everything That Rises Must Converge. He had visited Andalusia shortly after the author died. He described the austere conditions under which O’Connor had written some of the best fiction of the 20th century. Indeed, I always sensed a certain ascetic atmosphere whenever I walked into that room.

Sadly enough, when a diagnosis of lupus forced her back from Connecticut to live at Andalusia with her mother, Flannery O’Connor faced a situation where privacy was almost impossible.  A plaster wall with a connecting door separated her bedroom from her mother’s. The young writer had to adapt the first-floor sitting room on the main floor into her bedroom/study because the steep steps would have made walking upstairs an insurmountable challenge for her. The two women shared the only bathroom on the first floor. They ate almost every meal together, many of which were at the kitchen table. During the time I was working at the property, the kitchen was still equipped with the same table, sink, stove, cupboard, and the Hotpoint refrigerator O’Connor purchased with proceeds from the sale of the television rights to her short story, “The Life You Save May Be Your Own.”

Andalusia Farm kitchen
Andalusia Farm kitchen

The house still contained much of what the O’Connors had when they lived there. The curtains that her mother had sewn while O’Connor was away on a speaking engagement were still covering the tall windows, clearly a hasty job performed by an otherwise gifted seamstress to avoid objections by the room’s unamenable occupant. On the mantle above the room’s fireplace, small photographs of grandparents in tarnished frames were nestled in with an assortment of novelties and knickknacks, several of which may have been gifts from some of her more unconventional long-distance friends.

Still hanging precariously in the bedroom window was the heavy air conditioner that O’Connor told one of her correspondents was an office supply, which she intended to write off her taxes. If the IRS questioned her, she had decided to argue that it “supplied” her office with cool air and was therefore a legitimate deduction. The humid summers of middle Georgia can be brutal and oppressive without air conditioning. Installed at the opening of the fireplace was a propane gas heater, which likely produced insufficient warmth on the coldest nights of the year to comfort O’Connor’s aching joints, under constant assault from disease and the effect of steroid treatments. She hated bitter cold temperatures, not only because of the physical pain they brought, but because they often resulted in frozen and burst pipes – no water, no plumbing. I can personally attest to the inadequacy of space heaters, which we were still using to heat the drafty old house while I was working there. The frigid air seeping in around the windows and doors and up through the hardwood floors chilled me to the bone. On some days, I wore two pairs of socks and thermal underwear in my office, formerly Regina O’Connor’s bedroom.

Mrs. O’Connor moved back into the Cline family home in town shortly after her daughter’s death, and the main house at Andalusia was never fully occupied again. No one was attempting to keep it clean or regulate the temperature. Regular maintenance was no longer a priority, although family members renovated the back portion of the house, replaced the roof, and rebuilt the front porch in the 1990s. The two-over-two spacious front rooms of the house, which included O’Connor’s bedroom, were mostly closed off for about 35 years. Time was not kind to the interior. Paint peeled and chipped away from the surfaces. The walls cracked, and in some places chunks of the horsehair plaster fell on furniture or to the floor. Insects took up permanent residence, along with the spiders who fed upon them and filled curtains and corners with cobwebs.

Flannery O'Connor's bed
Flannery O’Connor’s bed

I worked at Andalusia for 13 years, the same amount of time that Flannery O’Connor lived there. I was alone in the main house a lot of that time, especially before the visitor traffic picked up and the foundation hired a part-time staff member to assist with tours and other tasks. His name is Mark Jurgensen, and he was a lifesaver. During those 13 years, I don’t know how many times, probably hundreds, I paused at the doorway of O’Connor’s bedroom and contemplated what her life must have been like at Andalusia. My eyes wandered around that room with its small bed, beautiful barrister bookcases, reading chair, and the crutches leaning against the wardrobe. O’Connor stared at the back panels of that piece of wooden furniture that served as her closet for several hours each morning at her typewriter, with only a brilliant imagination to assist her in crafting such powerful stories, letters, essays, and speeches.

I thought about the physical challenges she faced, the emotional and mental anguish she must have endured, perhaps the occasional sense of despair, the hopes and dreams she shared with no one, the doubts that surely surfaced, and the questions that remained unanswered to the very end. I am not superstitious. I tend to discount the metaphysical. I could never embrace the faith that was central to O’Connor’s understanding of the universe. And yet, there were moments when I genuinely sensed her presence in that place, not as a spirit or a ghost as so many visitors to Andalusia were ever hopeful to encounter. For me, the presence was a memory of someone I had never met. It was the manifestation of a courageous woman with an unusual name whose fictional characters were so bizarre, yet I recognized them immediately. It was the reflection of a living, breathing person, with all the flaws and imperfections inherent in our species, but one with a remarkable gift that is rarely exhibited or nurtured. For so many of us who have trouble hearing and seeing clearly, what she left behind is extraordinary.

Note: Andalusia is now one of several historic properties of Georgia College, which is responsible for its preservation and interpretation. Learn more at https://www.gcsu.edu/andalusia

Georgia College is also host to the Andalusia Institute, a public arts and humanities center that supports Flannery O’Connor scholarship, nourishes writing and the creative arts, and engages community members with the arts and humanities. Learn more at https://www.gcsu.edu/andalusiainstitute

Recommended Reading List: African American History and Race Relations

From the silent protests of athletes like Colin Kaepernick to the massive ground swelling of the Black Lives Matter movement, examples of discontent and outrage are growing in reaction to systemic racial injustice in the United States. Understanding and facing these challenges requires historical context – how we got to this dark place – and analysis from scholars and journalists who follow the issues closely and are gifted with the ability to explain the problems and offer possible solutions. The following annotated bibliography is in no way intended to be exhaustive. It doesn’t even scratch the surface of the books that have been published in recent years on African American history and race relations. It is simply a list of books I can honestly recommend because I have read them and think they are representative of the topic.

Caste: The Origins of Our Discontents by Isabel Wilkerson

Although she is not the first person to write about America’s caste system, Wilkerson probably has better examples and research to support her conclusions than did previous writers on the subject, especially after the presidency of Donald Trump. She makes a compelling argument for why we need to dig much deeper than race and class to understand the complexities of white privilege, discrimination, injustice, prejudice, poverty, and a whole host of other societal ills in America.

She draws comparisons to the ancient caste system in India to explain how arbitrary lines are drawn between groups of people that are irrational, indefensible, and immoral. She illustrates the paradox of a country that was founded on liberty and justice for all that at the same time enslaved people for 250 years of its history and continued to enforce a segregated society, often with horrible acts of violence, long after slavery was abolished. The chapter describing how the Nazis in Germany used the rhetoric and Jim Crow policies of the United States to construct their own pogroms is chilling and painful.

One of the major strengths of this book is Wilkerson’s use of metaphors to describe how the caste system in America originated and continues to be perpetuated by the dominant caste: the power base mostly of European descent. She uses a neglected house as a symbol of how the caste system has slowly but effectively compromised the structure of American society, eating away at its foundation and crumbling its walls. The inevitable result will eventually be a pile of rubble if we continue to avoid the problem.

Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow by Henry Louis Gates, Jr.

What a fine book. Not only does Gates bring a mountain of research to the table, but he also offers insight and thoughtful commentary based on decades of reading, thinking, teaching, and writing about Reconstruction and the Redemption period in American history that encompasses almost 100 years following the formal end of slavery. This topic has been covered to some degree by several scholars in recent years, with Doug Blackmon being the first to come to mind. I think what sets this book apart is the examination and analysis of the concept of the New Negro as it was proposed and argued by the major figures of African American society in the late 19th century and moving through the period now referred to as the Harlem Renaissance: W. E. B. DuBois, Frederick Douglas, and Booker T. Washington.

Gates recently published a book titled The Black Church: This Is Our Story, This Is Our Song, which is a wonderful history of African American religious communities and a study of how churches served much more than just places of worship. I am currently reading the book and cannot review it properly yet, but I do highly recommend it.

White Man’s Heaven: The Lynching and Expulsion of Blacks in the Southern Ozarks, 1894-1909 by Kimberly Harper

Harper presents a thoroughly researched and well documented scholarly study that helps explain why the southwestern Ozarks is such a white region of the country. Lynching occurred in many places across the South, and obviously, into the Midwest. Many white people who had lived during the time of slavery, whether they actually owned slaves or not, resented the new autonomy of black people in their communities during Restoration. Over the decades, resentment evolved into a fear. Obviously, much of the paranoia centered on the perceived sexual predation of black men. “It was believed that women were not safe in the country or the city, so long as African American men roamed free.”

However, Harper goes beyond the acts of horrible white mob violence to explore why African Americans were driven out of communities, often at the same time lynching took place. Similar action was taken in other parts of the country — Forsyth County in north central Georgia comes to mind. Other areas of north Georgia, especially in the Appalachian foothills, still have small black populations to this day. This book is a fine addition to American history and African American studies.

White Too Long: The Legacy of White Supremacy in American Christianity by Robert P. Jones

Well, this was painful . . . and so relevant. Jones is armed with a searing spotlight that reveals how Christianity in America was nurtured and sustained by white supremacy throughout its history and is still embracing it today. With compelling data, careful research, and thoughtful commentary, Jones forces readers to confront how racial discrimination and social injustice are far more prevalent in all denominations of Christianity than most people are willing to admit, including clergy and elected officials.

One of the lightbulb moments for me in this book was the realization that people who do horrible things while also identifying as Christians, are indeed Christians by the way our society defines it. He uses the horrific case of Dylann Roof, the white supremacist who shot and killed nine African Americans during a Bible study session at the Emanuel AME Church in Charleston in 2015. This young man was an active member of his Lutheran church and frequently posted Bible verses and Christian doctrinal messages through social media and his personal documents. He justified his actions with his Christian beliefs. As Jones astutely observes, if Roof had killed white Christians and had been attending a mosque and posting verses from the Koran, how many white Americans would have denied that he was a Muslim? Roof is a Christian terrorist, and the justification for his violence is directly linked to white supremacy. And, he is not alone in that twisted mindset.

The Dead Are Arising: The Life of Malcolm X by Les Payne and Tamara Payne

I had a pre-conceived image of someone who was much more violent than Malcolm X actually was based on this book. I was intrigued with how the man born Malcolm Little evolved from being a petty criminal, often robbing even members of his own family, to become an intellectual force to be reckoned with by the U.S. government and even foreign powers. It may not be fair to say that a few years in prison turned his life around. It would even be a weak cliché; however, there is no doubt that some of the relationships he developed with older mentors he met while in prison had a tremendous impact on his self-awareness, his belief system, his intelligence, his understanding of racial inequality, and his vision for the future of African Americans.

It was also interesting to watch how he eventually abandoned his complete devotion to Elijah Muhammad as the head of the political organization, Nation of Islam, to pursue his own leadership role within the framework of Islam as a world religion. Leaving the NOI and speaking out against it precipitated his violent death. Before he died, Malcolm moved to the forefront in the fight for civil rights and was unapologetic about the means employed to overcome racial injustice. Malcolm X had no patience for pacifists who advocated a moderate approach. He wasn’t asking for justice — he demanded it.

Malcolm’s parents were heavily influenced by the separatist and sovereign ideas for people of color espoused by Marcus Garvey, which probably led Malcolm to make distinctions between segregation and separation. The former was imposed, but the latter was voluntary and desirable — a fascinating perspective. He wanted to see black people become completely independent of white influence, dominance, and charity. His disdain for white people (white devils, as he called them) waned toward the end of his life, but he never felt compelled to be conciliatory or to make excuses for racial discrimination and the privileged white society that perpetuated it. Nobody could ever mistake Malcolm X for a “team player,” and his vision for black people presented a stark contrast to that of Martin Luther King, Jr.

The New Jim Crow: Mass Incarceration in the Age of Colorblindness (Revised Edition) by Michelle Alexander

Alexander presents us with a comprehensive and disturbing study of how mass incarceration resulting from the “war on drugs” in America has disproportionately imprisoned people of color in comparison to whites. As a well-trained attorney, she presents a mountain of evidence to argue her case, using quotes and testimonies from a wide array of historical and contemporary figures along with hard data and heartbreaking stories. No segment of American society escapes her stinging indictment: blacks and whites; conservatives and liberals; rich, poor, and middle class; champions of the Civil Rights Movement; and modern political figures, all the way up to Barack Obama (the book was published in 2010). This is an important book that deserves serious consideration by decision makers at almost every level of government, and especially those who are in any way connected to the criminal justice system.

Locking Up Our Own: Crime and Punishment in Black America by James Forman, Jr.

To some degree, Forman’s book takes up where The New Jim Crow leaves off. Understanding mass incarceration of black people at the hands of a legal system that is dominated by white people is not too difficult, but the situation gets cloudy when it happens in cities across the country that are largely governed by black people. In Forman’s experience as a public defender, Washington D.C. is a model city for the disturbing phenomenon. Using personal accounts from his own case files and extensive research into the historical developments that bred the “war on drugs” and “war on crime,” Forman carefully examines why the arc of the moral universe is longer than Martin Luther King, Jr. may have imagined, and it doesn’t seem to be bending very much toward justice for people of color.

Critics will argue that, first and foremost, breaking the law is not justified simply because we don’t like the laws and that black people cannot expect a pass just because they find themselves in difficult circumstances that often leave them with few options other than criminal activity. They will likely argue that Forman is proving the point that race is not a factor at all, especially since black people are arrested and convicted by black officers and judges. However, Forman digs deeper than the surface appearances to uncover complicated and nuanced systemic issues that lead to discrimination and inequality on our streets, in our courts, and in our prisons.

I had the opportunity to sit next to Professor Forman at a luncheon when he was honored with a Lillian E. Smith Book Award in 2018 for his work. His own life story is fascinating; his methods of teaching law are innovative and inspiring; and his passion for justice is akin to a minister’s drive to lead his congregation. He even sounds slightly like a preacher when he talks about the topic of this book. Readers will have to judge if he presents a convincing argument, but I don’t believe anyone can doubt his conviction.

Just Mercy: A Story of Justice and Redemption by Bryan Stevenson

This is such a compelling story from the man who leads up the organization that most recently brought us the Legacy Museum and the National Memorial for Peace and Justice (the lynching memorial, as many are calling it) in Montgomery, Alabama. I was particularly drawn to Stevenson’s reflections near the end of the book in the chapter titled “Broken.” He observes how our society has legalized vengeful and cruel punishments, how we surrender to the harsh instinct to crush those among us who are most visibly injured by circumstances that are in many cases beyond their control. Stevenson explains that we are all broken, but we are not defined solely by the mistakes we have made.

“I am more than broken. In fact, there is a strength, a power even, in understanding brokenness, because embracing our brokenness creates a need and desire for mercy, and perhaps a corresponding need to show mercy. When you experience mercy, you learn things that are hard to learn otherwise. You see things you can’t otherwise see; you hear things you can’t otherwise hear. You begin to recognize the humanity that resides in each of us.”

Robert E. Lee and Me: A Southerner’s Reckoning with the Myth of the Lost Cause by Ty Seidule

Ty Seidule has written a book that immediately and unequivocally transformed him into a heretic in the eyes of many Americans, especially those in the South. It takes amazing courage for a southerner who is also a decorated officer of the U.S. Army and a retired history professor at West Point to openly and very publicly admit that Robert E. Lee committed treason and should be viewed as a traitor to his country. And that’s exactly what Ty Seidule has done. I applaud his bravery and the extensive research he has completed to make that claim. This is a damn fine book, not because it covers new ground or reveals any real hidden truths, but because it says what has needed to be heard and understood for a very long time by someone in a position of authority who deserves respect and serious consideration.

Seidule has heard every excuse in the book for why the Civil War wasn’t about slavery, for why the Confederacy didn’t really lose the war, and for why Robert E. Lee was such an honorable man. For the first 20+ years of his life, he believed the excuses too. He probably doesn’t give quite enough credit to his wife for finally helping him escape the vortex of Confederate mythology. She forced him to question what it means to be a “Christian Southern Gentleman,” something he had aspired to from childhood through his graduation from Washington and Lee University, an institution that has been responsible more than any other place for perpetuating the cult of Robert E. Lee. His definitions of Christianity and gentleman have drastically changed through the years, and his perception of the South is much clearer than it was when he was a young man.

This book should be required reading in just about every college and university in the South, and even in many other parts of the country where the Civil War is still romanticized beyond recognition for what it truly was: a rebellious uprising against the United States of America. Seidule spends a lot of time talking about the impact of the novel and movie “Gone With the Wind,” which is appropriate; however, I wish he had given some attention to the earlier movie, “Birth of a Nation,” especially in his discussions of the Ku Klux Klan. One of the most striking arguments he makes concerns the inaccurate terminology that has been used for generations to describe the Civil War, including the ridiculous names for the conflict itself, from “the recent unpleasantness” to “the war of northern aggression.”

He also makes a convincing point about how using the term “Union” is an inappropriate way to describe the U.S. Armed Forces while they fought against the Confederacy, as if the Union were some entity separate from the United States. That distinction brings us back to the problem with Robert E. Lee, who abandoned his commission as an officer of the U.S. Army and chose to side with a rebellious confederacy of states – a domestic enemy against whom Lee had sworn to protect his country. In the end, Lee was more loyal to the State of Virginia and the other southern states than he was to the United States, and that makes him a traitor. And it’s about time southerners and the rest of the nation came to terms with that stinging but absolutely honest indictment.

The Power of Iconic Landmarks

Shortly before the Allied forces liberated Paris from Nazi control on August 25, 1944, Adolf Hitler ordered his French military governor to use explosives to destroy the Eiffel Tower, along with several other famous structures in Paris. Some of the targets had military significance, but the Eiffel Tower? Hitler was determined to make a statement: if the Allied forces were going to take Paris back from the Nazis, then he would leave the city in ruins. Although the Eiffel Tower was designed to commemorate the French Revolution, Hitler understood that it had come to symbolize the triumph of the Industrial Revolution in France. It was the first human-made structure in history to exceed a height of 1,000 feet. Upon seizing Paris four years earlier, German forces had raised the swastika flag over the Palace at Versailles and atop the Eiffel Tower. It was more than just a framework of iron; it was a testament to architectural engineering and a harbinger of advanced civilization.

Eiffel Tower in Paris
Eiffel Tower in Paris

The Eiffel Tower is a perfect example of an iconic landmark that helps define a city and distinguish it — in this case, Paris. Places around the world reap huge benefits from unusual or historic structures, most often human-made but not always. Landmarks provide identity, tell stories, promote tourism, instill pride, and in some cases, they are fully operational and part of the local infrastructure. Tower Bridge that spans the Thames River in London (often misidentified as London Bridge) is not only a magnificent piece of architecture. It is also a completely functional waterway crossing that accommodates approximately 40,000 people and 21,000 vehicles each day.

Colosseum in Rome
Colosseum in Rome

Seasoned travelers may consider it a sign of sophistication to avoid visiting familiar landmarks, designating them as tourist traps. Perhaps they are, but they attract millions of people every year for reasons other than selfie opportunities or bragging rights back home. They can be particularly educational, and many of them have museums either inside the structure itself or nearby that provide details about the landmark’s creation, construction, history, function, and significance. Some of these attractions date back to the ancient world, such as the pyramids at Giza or the Colosseum in Rome. Others have only been around for a relatively short period of time, such as the Gateway Arch in St. Louis, constructed in 1965.

Gateway Arch in St. Louis
Gateway Arch in St. Louis

Experience has taught me that most tourists get “trapped” by the add-on features many landmarks offer, such as the view from the top of the Eiffel Tower, the Statue of Liberty, or the Gateway Arch. The fees can get quite pricey, but the biggest cost is in valuable time spent waiting in line for an elevator or tram ride – sometimes several hours in peak season. Most travelers are on a tight schedule, and it seems a shame to miss other sites – museums, galleries, parks, gardens – while standing in line just to get a great view of the tops of buildings. There’s a good chance you can have the same experience nearby on the upper floor or observation deck of a tall building for a fraction of the cost and time.

Statue of Liberty in New York City
Statue of Liberty in New York City

It’s good enough just to spend a moment gazing at some iconic landmarks, even from a distance, to get the perspective of their size and scope. Others may be worthy of closer inspection or a guided tour, a topic I covered in a past blog post. There are wonderful ways to experience these attractions for little or no money at all. It is absolutely free to walk out on the Golden Gate Bridge in San Francisco or enjoy views of the magnificent structure from various locations around the bay. You won’t pay a penny to see the Hollywood sign overlooking downtown Los Angeles. Many of the world’s most spectacular houses of worship do not charge entry fees, although donations are expected and appreciated. Most cities are proud to show off their public landmarks and only charge nominal fees for entry or tours, if any at all. I have included photos here of some of my favorites. I hope to see many more in the years ahead.

Golden Gate Bridge in San Francisco
Golden Gate Bridge in San Francisco
Hollywood sign in Los Angeles
Hollywood sign in Los Angeles
Big Ben in London
Big Ben in London

We Are Way Overdue for Some Uncommon Sense

You have heard people say it many times. You have seen them express it or share it through memes on their social media feeds. Perhaps you have even said it too. I certainly have. The wording may vary, but the message is generally the same and takes the form of a mild insult. It usually goes something like this. “Some folks just don’t have any common sense.” There are variations of the statement, such as “They don’t even know how to come in out of the rain.” Sometimes it takes the form of a more serious complaint in reaction to some sweeping change or even in resistance to a crisis the society or even the world is facing. “What we need now more than ever is a little common sense.”

In my experience, people who most often observe a lack of common sense around them firmly believe, of course, that they are blessed with an abundance of the stuff. For some, it is simply a defense mechanism. For others, it is a point of pride, not to mention a sign of arrogance. Then there are people who take comfort in believing that book knowledge did not succeed in erasing their share of natural-born intelligence. In any case, we seem to crave common sense because we are convinced that it is the best solution to all our problems. I’m not so sure.

Looking back through human history, I am struck by how often uncommon sense helped our species survive, evolve, advance, and even thrive. Far too often, the call for common sense parallels a determination to maintain the status quo or even to regress from complexity to simplicity, usually for the sake of familiarity, security, or comfort. Admittedly, there are plenty of times when the simplest solution is the best alternative, but not always. I would argue that the bigger or more complicated the problem, the more likely it is that uncommon sense will fix it.

Common sense told early humans that fire is a destructive force that is extremely dangerous.
Uncommon sense showed them controlling fire provides warmth, light, protection, and a safe way to eat many types of food, especially meat.

Common sense told early civilizations that flooding rivers destroy crops.
Uncommon sense showed them that controlling floods with canals, berms, dikes, catch basins, and other measures can transform deserts into farmland.

Common sense told our ancient ancestors that the world was flat based on their limited perception of the planet.
Uncommon sense from astronomers of classical civilizations showed them that the earth is a sphere.

Well sure, you might say, it took innovation and critical thinking to advance civilization and create the modern world, but we live in the post-industrial age now. Nobody from the 21st century with any common sense would be fooled by legends of the Middle Ages, by quack medicine of centuries past, silly urban myths, or conspiracy theories, right? It never ceases to amaze me how people who are otherwise perfectly reasonable will adamantly choose to accept the simplest answer because it just makes sense to them – and nothing else does. “It’s just common sense,” they say. The level of their certainty is almost always directly linked to a personal stake they have in the matter: financially, politically, morally, etc. As Upton Sinclair put it, “It is difficult to get a man to understand something, when his salary depends on his not understanding it.”

The global population is faring better now than it ever has. Infant mortality rates continue to drop as life expectancy rises. Advances in medicine, agriculture, and technology are pulling more people out of poverty every day and improving their standard of living exponentially. However, we cannot ignore the real possibility of disastrous setbacks and worldwide threats to the future of humanity. And yet, that is exactly what so many of us are doing. We refuse to face serious challenges that will impact future generations, and are even causing major problems now, because doing so is inconvenient. We ignore the advice and warnings from some of the brightest minds in the world – the people with uncommon sense — choosing instead to follow our common sense, which can prove to be woefully inadequate.

Common sense tells us that we had an unusually cold winter; therefore, global warming is not real.
Uncommon sense has proven that average global temperatures continue to rise with devastating effects now and even worse to come.

Common sense tells us that weather is unpredictable and that temperatures have been rising and falling for thousands of years.
Uncommon sense demonstrates how carbon emissions and rising CO2 levels are rapidly changing our climate, which is different than weather.

Common sense tells us that if you don’t have symptoms, then you aren’t sick, can’t spread a virus, and don’t need to take precautions like wearing a mask or limiting social contact.
Uncommon sense proves that you can still spread a virus even though you have no symptoms, which makes fighting a pandemic even more difficult.

Common sense says, “If it ain’t broke, don’t fix it.”
Uncommon sense knows that, by the time we realize it’s broken, it may be too late to fix it.

I truly value common sense. As individuals, it helps us navigate a dangerous world and keeps us safe, most of the time. True enough, some people are more skilled at developing and using it than others. As necessary as it is though, common sense has its limitations. The problem with common sense is, well, it’s common. It sets the bar rather low, especially when the challenges we face are far greater than we can handle on our own. Lately more than ever, I think we are way overdue for some uncommon sense.

Walking In Memory of Autumn

A ten-year study conducted by Paul Williams and Paul Thompson published in 2013 concluded that brisk walking several times a week can significantly reduce the risk of cardiovascular disease, heart failure, and dementia. No weightlifting, jumping jacks, or push-ups required – just a fast-paced walk. Furthermore, individuals who do exercise regularly in other ways can still benefit just the same from walking. That magic 10,000-step-a-day threshold that our Fitbits remind us about daily was reinforced by another ten-year study completed in 2015 that demonstrated how meeting that daily goal can lower risk of death by 46%.

Honestly, we all know we need to move to stay healthy. A treadmill will do the job, but strolling five miles on a churning rubber belt is about as exciting as working in a meaningless profession from 9-5 every single day, which is why the treadmill analogy works so well for those circumstances. The good news is, no matter where we live, there are usually at least a few good options outdoors to pack in several miles of vigorous walking when the weather permits. Local nature trails, state and national parks, city and county recreation areas, national forests, greenways, river walks, and so many other options are available to us if we are serious about staying healthy.

What if we live in a big city? Well, there are typically public parks and gardens with paved trails for walking. We can even map out a “trail” in our boroughs, neighborhoods, or suburbs. However, there is another great space for walking that we should always remember – cemeteries. True enough, most of us don’t exactly consider walking among gravestones to be a source of happiness, but take into consideration the design, maintenance, and accessibility of cemeteries. They can be quite beautiful. Most major cities have several of them, and they may be even larger than parks and recreation areas.

Maple Park Cemetery, Springfield, MO
Maple Park Cemetery, Springfield, MO

Obviously, people tend to have an emotional connection to cemeteries where friends and family are buried, which means that they usually support them through political influence, volunteer hours, and donations. In this sense, cemeteries are beneficiaries of charity in much the same way churches and hospitals are. Through their function as spaces of “eternal rest” for the departed and places for contemplation and memories for those left behind, cemeteries have evolved into sanctuaries characterized by creative architecture, landscaping, and gardening.

Maple Park Cemetery, Springfield, MO
Maple Park Cemetery, Springfield, MO

Acre for acre, we are hard-pressed to find more diversity of trees, shrubs, and other plantings in urban areas than what cemeteries contain. Many of them have water features, bridges, statues, prayer gardens, chapels, gazebos, and special monuments and memorials. The older they are, the more character they have developed. They are rich repositories of history and genealogy. Cemeteries speak volumes about a community’s past and the promise of its future.

This autumn I decided to take a walk in one of the cemeteries where we currently live in Springfield, Missouri. Maple Park Cemetery dates to 1876 when a group of local businessmen established it on a 31-acre tract where an old fairground was once located. Some of the city’s most prominent citizens are interred there. One of the most famous people buried in Maple Park is known not by his own merit but by how he met his end. David Tutt was killed on the square in downtown Springfield by Wild Bill Hickok.

Maple Park Cemetery, Springfield, MO
Maple Park Cemetery, Springfield, MO

Maple Park gets its name because of an abundance of the species, which according to early newspaper accounts were growing on the property when the cemetery was first established. Because Maple Park is almost 150 years old, there is an interesting variety of grave markers and mausoleums. There is also a wonderful mixture of mature and young trees of many different species, which put on a spectacular show in autumn months.

Many of us drive for hours to visit mountains and valleys to see fall leaves on a grand scale, but Maple Park Cemetery offers a chance to see those brilliant yellow, orange, and red trees in a setting that is peaceful and even reverent. My walk among the memorial markers under the canopies of color helped me appreciate how wonderful it is to still be moving, how the turning of the seasons is a perfect metaphor for our lives, and how precious beauty is because it is so brief.

Maple Park Cemetery, Springfield, MO
Maple Park Cemetery, Springfield, MO