Housing Faith

My attitude toward organized religion has changed considerably over the last few decades, and my opinions are usually not so favorable. Raised in the Southern Baptist tradition, I am more familiar with Protestantism as it is practiced by that denomination; however, I have studied other Christian traditions and the major world faiths. I disagree with the modern atheists who argue that religion is superfluous and will ultimately become obsolete. Religious practice dates back long before written history, and although it is waning in some parts of the western world, it is thriving in other areas. Many people obviously possess a need for belief in the metaphysical, whether it’s in the form of organized religion, personal faith, or spirituality. Perhaps religious practice is even an evolutionary trait in humans, an idea that has been explored by sociologists, religious scholars, and even some biologists.

I am now an Episcopalian, mainly because the Episcopal Church seems to be so inclusive and focuses energy on advancing causes of social justice and charity, especially for people we often identify with the margins of society. There are probably other inclusive faith traditions with similar characteristics, such as the Congregationalists, Unitarians, and others from outside the Christian world. Admittedly, the cultural, intellectual, and even social aspects of religion are more appealing to me than the supernatural. St. Paul wrote that these three remain: faith, hope, and love. I cling less to the first than the other two.

One common criticism I notice expressed against organized religion concerns the number of resources spent on designing, constructing, and maintaining houses of faith, such as cathedrals, mosques, temples, and tabernacles. I understand the issue and the disconnect between the message of charity and the often-obscene wealth exhibited in these magnificent structures. At the same time, I can also appreciate what these places of worship mean to parishioners. Beyond their religious significance, these architectural masterpieces also serve as cultural icons, fine art repositories, points of community or even national pride, tourist attractions, and centers of activity.

I am conflicted about the money spent on such palatial houses of faith when there is so much poverty, examples of which are often present right at the doorstep of the structures. Still, I find myself attracted to their beauty and will make every effort to visit them when we travel to places known for ecclesiastical architecture. They are just too amazing to miss. And as formidable as these edifices are, occasionally we are all reminded how easily they can be destroyed, such as the horrible fire that consumed Notre Dame Cathedral in Paris in 2019.

Here I have posted photographs of some of the most spectacular houses of worship we have visited during our travels. I look forward to seeing more.

Notre Dame, Paris, France
Notre Dame, Paris, France

 

Notre Dame, Paris, France
Notre Dame, Paris, France

 

Westminster Abbey, London, England
Westminster Abbey, London, England

 

St. Peter’s Basilica, Rome, Italy
St. Peter’s Basilica, Rome, Italy

The Garden at Musée Rodin

Visitors to Paris will often want to include in their itinerary a side trip to the Palace of Versailles, which is about a thirty-minute train ride from the city.  The round trip isn’t so time-consuming, but actually seeing the palace and grounds takes a minimum of half a day, even more if one truly explores the garden, which is 800 hectares (over 1,900 acres) in size. Unfortunately, some travelers are on a tight schedule and hardly have enough time to see the major attractions in Paris, much less places outside the city.  There is no substitute for seeing the Palace of Versailles, which is quite magnificent and offers a visual representation of the wealth and power of the monarchy in the 17th and 18th centuries. The garden is certainly spectacular and difficult to match; however, if there is a substitute in Paris that can serve as a rival, albeit on a smaller scale, the garden at the Musée Rodin must be near the top of the list.

Rodin gardens from mansion balconey
Rodin gardens from mansion balcony

The Musée Rodin is housed in a mansion, formerly called the Hôtel Peyrenc de Moras, now known as the Hôtel Biron. Auguste Rodin was a 19th-century French sculptor who is known for creating several iconic works, including “The Age of Bronze,” “The Thinker,” “The Kiss,” and “The Burghers of Calais.” The collection in the restored mansion is interesting for the novice and probably a treasure for artists and art historians, but almost everyone can appreciate the beauty of the garden.  Its size is minuscule compared to Versailles, but it is still impressive. The grounds are divided into a rose garden, north of the mansion, and a large ornamental garden, to the south, while a terrace and hornbeam hedge backing onto a trellis conceal a relaxation area, at the bottom of the garden. Two thematic walks are also part of the garden: the “Garden of Orpheus,” on the east side, and the “Garden of Springs”on the west side.

Rodin garden roses and shrubs
Rodin garden roses and shrubs

In addition to the abundance of plants, the garden is also decorated with some of Rodin’s sculpture.  Rodin started to place selected works in the garden in 1908, together with some of the antiques from his personal collection. Male and female torsos, copies made in the Roman or modern period, after Greek works, were presented in these natural surroundings. Other pieces were added after his death. The first bronzes were erected in the gardens before World War I. Since 1993, they have been regularly cleaned and treated so as to preserve their original patinas.

Rodin mansion 3

Anyone who has visited Paris knows the frustration of wanting to see more, to do more, than limited time will allow. Tourists have to be selective, discriminating, and reasonable about what they will be able to cover during the time they are in the city. Any attraction that offers more than one type of experience is probably worth including. The Musée Rodin fits that description with historic architecture and provocative sculpture but also a landscape that is in itself a work of art, offering the visitor an opportunity to rest and reflect.