San Diego’s Balboa Park

During our vacation in 2022 to San Diego, my wife and I spent a morning strolling around Balboa Park. Named for the Spanish-born explorer and perhaps the first European to witness the Pacific Ocean, this 1,200-acre site has a long, rich history going back to 1868 when San Diego’s leaders set aside the scrappy undeveloped area for public use. It didn’t really begin to take shape as a recognizable park until 1892 when a schoolteacher turned botanist and entrepreneur named Kate Sessions leased 32 acres of the property for her growing nursery’s propagation. She also agreed to plant trees annually in the park and in other public spaces around the city. The species included cypress, pine, oak, and eucalyptus. Some of the oldest specimens in the park today were part of the original plantings. She also introduced exotic plant species such as bird of paradise, Queen palm, and poinsettia. Her efforts eventually earned Sessions the honorary title “The Mother of Balboa Park.”

Balboa Park, San Diego, California
Balboa Park, San Diego, California

By the early 20th century, the City of San Diego had installed water systems, roads, and other infrastructural elements to Balboa Park. The origin of the elaborate Spanish Colonial architecture dates to 1915 when the park was selected as the site for the Panama-California Exposition. The Cabrillo Bridge and the buildings along El Prado date to this event, along with the Spreckels Organ Pavilion. More buildings were added for the California Pacific International Exposition of 1935-36, especially in the Southern Palisades area. These structures have a much more Southwestern look in the tradition of Pueblo Indian architecture and even Mayan designs.

Balboa Park, San Diego, California
Balboa Park, San Diego, California

After World War II, several of the main buildings were converted to museums and other cultural institutions. Today, visitors to the park can enjoy the San Diego History Center, San Diego Museum of Art, San Diego Natural History Museum, Fleet Science Center, Institute of Contemporary Art, Museum of Photographic Arts, Women’s Museum of California, Veterans Museum, WorldBeat Center, Museum of Us, San Diego Air and Space Museum, San Diego Mineral and Gem Society, San Diego Automotive Museum, San Diego Model Railroad Museum, Mingei International Museum, the Marston House (early 20th-century Arts & Crafts design), Comic-Con Museum, and Timken Museum of Art.

Balboa Park, San Diego, California
Balboa Park, San Diego, California

There are fountains and gardens throughout the park, along with the Japanese Friendship Garden (subject of an earlier post). There are restaurants and coffee shops. There are statues (especially in Sefton Plaza), the impressive California Tower, the Spanish Village Art Center, a beautiful carousel, and a miniature train. The park’s visitors center is the best place to start exploring the site. If we return to San Diego, I plan to devote more time to wandering through some of these museums. The Botanical Building and Lily Pond were undergoing major renovation work when we were there, so I definitely want to see those if we go back to Balboa Park, and I hope we do.

Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California
Balboa Park, San Diego, California

Taliesin West: Frank Lloyd Wright’s Desert Oasis

In 1909, famed American architect Frank Lloyd Wright began constructing a house on the brow of a hill near Spring Green, Wisconsin. He had grown up in the hills of the state and was inspired by the landscape. His mother was of Welsh descent, and he named the 800-acre estate Taliesin, which is a personal name rooted in Welsh mythology that translates to radiant or shining brow. This was not Wright’s first home, nor would it be his last. He had completed a small two-story residence in Oak Park, a suburb of Chicago, in 1889. Fire almost completely destroyed Taliesin in 1914 and again in 1925, but Wright rebuilt both times.

In the early 1930s, Wright and his third wife, Olgivanna, established an architectural apprentice program at his Wisconsin home called the Taliesin Fellowship, which provided students with an immersive experience that integrated design and construction with growing and preparing food and the study of the arts. The term the Wrights used was “organic architecture.” Wright would continue to make changes and additions to Taliesin over the years after the fires, including converting a chicken coop into a dormitory for his architectural apprentices!

Wright and his students needed seasonal respite from the harsh winters of Wisconsin and found one in 1934 when he rented space for the Fellowship in sunny Arizona. The change in climate was so welcoming that Wright decided to create a winter location for his school. He purchased property in the rugged Sonoran Desert at the base of the McDowell Mountains in Scottsdale, northeast of Phoenix, where he and his apprentices would construct Taliesin West. This winter camp would become a study in how to blend architecture into a stark landscape incorporating water, shade, foliage, and indigenous materials to create a desert oasis. Wright’s architectural school used both Taliesin locations depending upon the season, even after the master’s death in 1959 in Phoenix at the age of 91. Although the Wisconsin program at Taliesin East finally closed in 2020, the tradition continues to this day with the Frank Lloyd Wright School of Architecture in two locations in Arizona. Both Taliesin East and West are now historical sites open to the public, with guided or self-guided tours available.

Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona

During the week following Christmas in 2022, my wife and I returned to the Phoenix area for a vacation. It is one of our favorite destinations in the country and where we hope to spend considerable time during retirement. On this trip we visited Taliesin West, which was my first time seeing the site. We took a self-guided tour, using a mobile phone app with earplugs to listen to a virtual guide describe the structures and surrounding grounds as we walked through a series of numbered stations over the course of about an hour. The whole setup was quite slick – impressive and informative. Along with other visitors taking the same tour, we were able to stroll through the various rooms and outdoor spaces. It is understandable why Andrew Pielage decided to call his photographic exhibition of Wright’s work “Sacred Spaces,” showcasing how the architect skillfully designed structures that seem almost sanctified.

Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona

Several design elements of Taliesin West stand out in my mind. A common theme throughout is the use of sharp angles for roof lines, steps, walkways, and water features. This collection of points is reminiscent of the McDowell Mountain peaks visible to the east of the property. The stone and plaster walls, interior and exterior, imitate the rocky outcroppings around Scottsdale and throughout the Phoenix valley. Red, orange, brown, and blue are dominant colors for painted surfaces and fabric, reflecting the palette of the Sonoran Desert floor and the skies above that remain clear most of the time. Although rare in the desert, water is present in the form of rivers, such as the Salt, Gila, and the Agua Fria in Phoenix. Also, the Sonoran Desert gets more rainfall than any other desert in North America. Wright and his apprentices included several modest water features at Taliesin West. Some people have speculated that Wright may have become paranoid after suffering through multiple devastating fires and wanted water nearby as a safeguard. In any case, the presence of water created a literal oasis at Taliesin West.

Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona

The Frank Lloyd Wright Foundation that owns and operates Taliesin West does a fine job of managing the site as a historically-preserved house museum. The rooms are presented in a fashion that makes them look as if Wright and his students have left for the summer but will return next winter. Spaces are appointed with original (or at least period) art pieces, artifacts, furniture, and furnishings. The story the curators are telling is as much about Wright’s apprentices and their accomplishments as it is about the master architect himself. There are various places where people could gather together, including a small theatre. There are at least three pianos in the buildings, implying how important music was to the general atmosphere the Wrights were producing. Toward the end of his life, Frank Lloyd Wright was hosting cocktail parties with Olgivanna at Taliesin West for select groups of people in the greater Phoenix area. What fascinating conversations must have occurred at such gatherings, no doubt dominated by the celebrity architect who had grown so fond of his sacred space in Arizona.

Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona
Taliesin West in Scottsdale, Arizona

Santa Fe: Art Gallery of the Southwest

My wife and I took a trip to Santa Fe, New Mexico, during the summer of 2014.  She had been to the town several times, but I had not. We both love art, culture, and the southwest, and Santa Fe is one of those places where all three intersect.  We stayed in a lovely, rambling casita just off Canyon Road, which placed us in walking distance from the historic downtown attractions and more art galleries than anyone could possibly explore in a year’s time — alas, we were there for less than a week.

Native-American settlement in this area of the state goes back at least to the mid-11th century, with Pueblo Indian villages occupying the site for about a hundred years. Spanish explorers created a small village here thirteen years before the Mayflower Pilgrims established the Plymouth Colony. Santa Fe is the oldest capital city in the U.S. and still holds the record for the oldest public building in America, the Palace of the Governors. The city was captured and claimed by the U.S. in 1846 during the Mexican-American War. After New Mexico gained statehood in 1912, Santa Fe began to attract even more visitors from across the country who were drawn to the city’s dry climate and rich history.

Art and architecture have been among Santa Fe’s most valuable commodities from its early beginnings as a settlement for indigenous people. During the 20th century, the leadership and citizens of Santa Fe took measures to preserve the city’s ancient landmarks and maintain its multicultural traditions. Zoning codes are in place to protect the city’s distinctive Spanish-Pueblo architectural style of adobe and wood construction. Of course, other styles are fully represented in Santa Fe, including Greek Revival, Victorian, and Spanish Mission Revival.

Dragon sculpture over Ellsworth Gallery in Santa Fe
Dragon sculpture over Ellsworth Gallery in Santa Fe

The historic district of Santa Fe is packed with galleries and museums, but the variety and abundance of public art on display transforms this southwestern village into a huge open-air exhibit. Galleries and other businesses often have interesting artwork on the exterior of their buildings that range from traditional to whimsical, like the pounded-copper dragon sculpture by artist Ilan Ashkenazi atop the Ellsworth Gallery, reflecting the gallery’s Japanese antiques and Samurai armor collections. The “Rock Paper Scissors” stainless steel and bronze sculpture by artist Kevin Box at a nearby gallery is another example.

"Rock, paper, scissors" sculpture in Santa Fe
“Rock, paper, scissors” sculpture in Santa Fe

Public art abounds in Santa Fe, and it comes in all shapes, sizes, and media. If you’re looking for garden art, there are plenty of public green spaces decorated with a variety of individual and collective installations. However, there are also outdoor garden galleries selling a whole host of fascinating pieces, including the mesmerizing whirligigs and the startling face sculptures. Public buildings also get in on the act. The “Santa Fe Current” is an installation by artist Colette Hosmer of sculpted fish “swimming” through pebbles in the garden area just outside Santa Fe’s Community Convention Center.

Whirligig garden in Santa Fe
Whirligig garden in Santa Fe
Sculpted garden faces in Santa Fe
Sculpted garden faces in Santa Fe
"Santa Fe Current" sculpture by Colette Hosmer
“Santa Fe Current” sculpture by Colette Hosmer

Bronze statues are almost ubiquitous in Santa Fe, scattered throughout the town on public and private property. I was especially enamored with the statues of children playing, but there are many other subjects by artists like Native-American sculptor Roxanne Swentzell. Statues of cowboys and animals are plentiful too. One of the most beloved statues resides in Thomas Macaione Park, named after a Santa Fe artist the locals affectionately called “El Diferente.” The statue depicts Macaione holding a paint brush and standing at his easel with a wooden crate at his feet holding his palette. There is also a statue of a dog resting a couple of feet away on the flagstones where Macaione stands. The piece was created by Mac Vaughan.

Thomas Macaione “el Diferente” bronze sculpture in Santa Fe
Thomas Macaione “el Diferente” bronze sculpture in Santa Fe
Sculpture of children playing in Santa Fe
Sculpture of children playing in Santa Fe
Sculpture of a child reading in Santa Fe
Sculpture of a child reading in Santa Fe

One of the highlights of this trip was the opportunity I had to get up each morning just after sunrise and head down Canyon Road, which includes a half-mile section with over a hundred galleries, boutiques, and restaurants. From there I wandered around the old historic section of Santa Fe taking photos of art, architecture, gardens, wildlife, and the landscape. Some of the best shots I took of the surrounding countryside were from the hilltop ruins of Fort Marcy, which dates to the Mexican-American War. While I was roaming around the streets and alleys of Santa Fe in the cool of the early morning, there were very few people out and about at all. I could walk several blocks without seeing a soul. It felt like I had been given an exclusive pass to a museum that was closed for the day, and I was the only visitor. How unusual. How wonderful.

Sculpture of two Native-Americans in Santa Fe
Sculpture of two Native-Americans in Santa Fe
Sculpture of nude couple kissing in Santa Fe
Sculpture of nude couple kissing in Santa Fe
Sculpture of man and boy fishing in Santa Fe
Sculpture of man and boy fishing in Santa Fe

Housing Faith

My attitude toward organized religion has changed considerably over the last few decades, and my opinions are usually not so favorable. Raised in the Southern Baptist tradition, I am more familiar with Protestantism as it is practiced by that denomination; however, I have studied other Christian traditions and the major world faiths. I disagree with the modern atheists who argue that religion is superfluous and will ultimately become obsolete. Religious practice dates back long before written history, and although it is waning in some parts of the western world, it is thriving in other areas. Many people obviously possess a need for belief in the metaphysical, whether it’s in the form of organized religion, personal faith, or spirituality. Perhaps religious practice is even an evolutionary trait in humans, an idea that has been explored by sociologists, religious scholars, and even some biologists.

I am now an Episcopalian, mainly because the Episcopal Church seems to be so inclusive and focuses energy on advancing causes of social justice and charity, especially for people we often identify with the margins of society. There are probably other inclusive faith traditions with similar characteristics, such as the Congregationalists, Unitarians, and others from outside the Christian world. Admittedly, the cultural, intellectual, and even social aspects of religion are more appealing to me than the supernatural. St. Paul wrote that these three remain: faith, hope, and love. I cling less to the first than the other two.

One common criticism I notice expressed against organized religion concerns the number of resources spent on designing, constructing, and maintaining houses of faith, such as cathedrals, mosques, temples, and tabernacles. I understand the issue and the disconnect between the message of charity and the often-obscene wealth exhibited in these magnificent structures. At the same time, I can also appreciate what these places of worship mean to parishioners. Beyond their religious significance, these architectural masterpieces also serve as cultural icons, fine art repositories, points of community or even national pride, tourist attractions, and centers of activity.

I am conflicted about the money spent on such palatial houses of faith when there is so much poverty, examples of which are often present right at the doorstep of the structures. Still, I find myself attracted to their beauty and will make every effort to visit them when we travel to places known for ecclesiastical architecture. They are just too amazing to miss. And as formidable as these edifices are, occasionally we are all reminded how easily they can be destroyed, such as the horrible fire that consumed Notre Dame Cathedral in Paris in 2019.

Here I have posted photographs of some of the most spectacular houses of worship we have visited during our travels. I look forward to seeing more.

Notre Dame, Paris, France
Notre Dame, Paris, France

 

Notre Dame, Paris, France
Notre Dame, Paris, France

 

Westminster Abbey, London, England
Westminster Abbey, London, England

 

St. Peter’s Basilica, Rome, Italy
St. Peter’s Basilica, Rome, Italy

The Garden at Musée Rodin

Visitors to Paris will often want to include in their itinerary a side trip to the Palace of Versailles, which is about a thirty-minute train ride from the city.  The round trip isn’t so time-consuming, but actually seeing the palace and grounds takes a minimum of half a day, even more if one truly explores the garden, which is 800 hectares (over 1,900 acres) in size. Unfortunately, some travelers are on a tight schedule and hardly have enough time to see the major attractions in Paris, much less places outside the city.  There is no substitute for seeing the Palace of Versailles, which is quite magnificent and offers a visual representation of the wealth and power of the monarchy in the 17th and 18th centuries. The garden is certainly spectacular and difficult to match; however, if there is a substitute in Paris that can serve as a rival, albeit on a smaller scale, the garden at the Musée Rodin must be near the top of the list.

Rodin gardens from mansion balconey
Rodin gardens from mansion balcony

The Musée Rodin is housed in a mansion, formerly called the Hôtel Peyrenc de Moras, now known as the Hôtel Biron. Auguste Rodin was a 19th-century French sculptor who is known for creating several iconic works, including “The Age of Bronze,” “The Thinker,” “The Kiss,” and “The Burghers of Calais.” The collection in the restored mansion is interesting for the novice and probably a treasure for artists and art historians, but almost everyone can appreciate the beauty of the garden.  Its size is minuscule compared to Versailles, but it is still impressive. The grounds are divided into a rose garden, north of the mansion, and a large ornamental garden, to the south, while a terrace and hornbeam hedge backing onto a trellis conceal a relaxation area, at the bottom of the garden. Two thematic walks are also part of the garden: the “Garden of Orpheus,” on the east side, and the “Garden of Springs”on the west side.

Rodin garden roses and shrubs
Rodin garden roses and shrubs

In addition to the abundance of plants, the garden is also decorated with some of Rodin’s sculpture.  Rodin started to place selected works in the garden in 1908, together with some of the antiques from his personal collection. Male and female torsos, copies made in the Roman or modern period, after Greek works, were presented in these natural surroundings. Other pieces were added after his death. The first bronzes were erected in the gardens before World War I. Since 1993, they have been regularly cleaned and treated so as to preserve their original patinas.

Rodin mansion 3

Anyone who has visited Paris knows the frustration of wanting to see more, to do more, than limited time will allow. Tourists have to be selective, discriminating, and reasonable about what they will be able to cover during the time they are in the city. Any attraction that offers more than one type of experience is probably worth including. The Musée Rodin fits that description with historic architecture and provocative sculpture but also a landscape that is in itself a work of art, offering the visitor an opportunity to rest and reflect.